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Article 

ArchDaily features Prince of Wales Visitor Centre

The website ArchDaily has a feature on the CSMVS (formerly Prince of Wales) Visitor Centre in Mumbai, completed in 2011. Full article, including drawings by RMA and images by Rajesh Vora and Edmund Sumner, can be found here.

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Event 

2013 – Kinetic City

British School at Rome

5-26 February 2013

Rome, Italy

 

Exhibition by RMA Research

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Article 

Boom and Leisure (AU) feature on ‘Kinetic City’ exhibition

Rahul Mehrotra will bring the programme Urban Landscapes-Indian Case Studies to a close with his lecture and exhibition The Kinetic City.

During this programme, we have looked at some of the consequences of “top-down” formal master planning in Delhi’s desolate new towns through the eyes of contemporary photographers, and have considered ways of compensating or adjusting to some of the problems which result from the imposition of over-determined spatial visions, a theme that Rahul Mehrotra in particular will discuss and other guest writers have considered. Full article here.

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Article 

Drome Magazine (IT) feature on ‘Kinetic City’ exhibition

“Rethink the Indian cities is not only possible, but mandatory. That’s why, until February 26th 2013, The British School at Rome hosts The Kinetic City, the exhibition realized by the Indian architect and town planner Rahul Mehrotra. A collection of pictures and notice boards that show the consequences of the urbanization in the country.” Full article here.

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Event 

Interview in ‘ArtTribune’

Rahul Mehrotra was interviewed about the ‘Kinetic City’ exhibition at the British School at Rome for ArtTribune, an Italian online magazine.

 

View the english translation here.

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Event 

Rahul Mehrotra lectures at the AA

Architectural Association School of Architecture, London UK

Rahul Mehrotra - Working In Mumbai
Date: 7/2/2013
Time: 18:00:00
Venue: Lecture Hall

Event 

WHAT WE CALL WINTER: A Production Set for Ideas

(Bombay: 5-8 December 2012)

Convenors: Rahul Mehrotra, Ranjit Hoskote, Kaiwan Mehta

‘WWCW is a constellation of events that is designed to open up various directions of cultural and historical inquiry while eluding fixed institutional or disciplinary mandates. It will act as a stage for new relationships to emerge among initiatives in the arts, architecture, urbanism and culture at large. WWCW is presented as a production set for ideas that will, we hope, circulate into the cultural bloodstream of Bombay. It is a prototype for a full-scale festival of ideas, which is intended to take place in 2013.’